Yann Bula
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Yann Bula

Yann Bula  Verified by 2 people. Click for details.

About

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ABM Rep @ Superside
Bogota D.C., Colombia

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Résumé

Jobs 20% verified
  • J
    Angel Investor | Fractional Marketing Lead
    Jelt
    Apr 2023 - Current (1 year 1 month)
    http://jelt.com.co
  • Superside
    Account Development Representative
    Remote experience
    Superside
    Jan 2023 - Current (1 year 4 months)
  • Torre
    Business Development Manager | Product specialist
    Verified experience
    Remote experience
    Torre
    Jun 2022 - Jan 2023 (8 months)
  • Torre
    Business Development Representative
    Remote experience
    Torre
    Jan 2022 - Jun 2022 (6 months)
  • T
    Sales and Relationship Management | Co-founder
    Teea Group S.A.S
    Jan 2019 - Jul 2019 (7 months)
Education 25% verified
  • N
    Product Strategy
    Remote experience
    Northwestern University, Kellogg School of Management
    Aug 2022 - Oct 2022 (3 months)
  • The University of Melbourne
    Innovation & Entrepreneurship
    The University of Melbourne
    Dec 2019 - Jan 2020 (2 months)
  • University of Los Andes
    Bachelor of Business Administration Business Administration
    Verified experience
    University of Los Andes
    Jul 2015 - Nov 2020 (5 years 5 months)
  • I
    International Baccalaureate Diploma
    Jan 2013 - Jan 2015 (2 years 1 month)
Awards 0% verified
  • Ministerio de Educación de Colombia
    Nation-wide top scores graduate state test
    Ministerio de Educación de Colombia
    Nov 2020 - Dec 2020 (2 months)
Publications 0% verified
  • “
    “Social Media 3.0” Platforms: New Paradigms of Gatekeeping and Curation in the Music Industry
    Aug 2020 - Dec 2020 (5 months)
    It is widely accepted that streaming platforms, mainly Spotify, have replaced the radio, tv and other media outlets as the gatekeepers of the music industry. Their editorial teams and algorithms widely affect the global listening agenda. However, there are a growing number of artists who had hit songs mainly due to their viral success on new Web 2.0 platforms (social media), such as TikTok. In this sense, there is a lack of empirical and theoretical account to understand the role these new platforms have on music curation. Based on an iterative process of sense-making and codification supported by a digital ethnographic method, this research analyses four remote interviews with key industry experts, public interview transcripts, grey litera